A Review Of A. Lange & Söhne 1815 Chronograph Replica Watch

Glashütte, Germany-based manufacture A. Lange & Söhne Men’s Replica has announced a new and surprising addition to their 1815 line of replica watches in the form of the 1815 Chronograph with a black dial and white gold case. With this new look, the Datograph’s younger sibling now looks the part too, and it makes for a hard to beat value proposition within its segment.

The A. Lange & Söhne 1815 line of swiss replica watches are named for the birth year of the brand’s founder Ferdinand A. Lange and they’re meant to be evocative of classic design and traditional replica watchmaking techniques. The 1815 Chronograph was originally introduced in 2004, and saw its movement updated in 2010.

The movement in the current A. Lange & Söhne 1815 Chronograph is the same as the one found in the Datograph (see our hands-on with the Datograph Up/Down in pink gold here), with the date and power reserve complications removed. As far as movements go, you would be hard-pressed to find someone who has seen a Lange movement in person and doesn’t think they’re superlative. I have a deep personal leaning toward Lange and the 1815 Chronograph in particular as it is a grail replica watch and was my first encounter with high-end replica watchmaking.

A Review Of A. Lange & Söhne 1815 Chronograph Replica Watch

The Caliber 1951.5 is a manually wound movement with a column wheel flyback chronograph (meaning that the chronograph hands can be reset to zero without stopping) complication, free-sprung balance spring, and 60 hours of power reserve. By doing away with the date and power reserve complication, Lange has managed to shave 1.5mm off of this caliber’s width relative to the one used in the Datograph. In usual Lange fashion, the finishing on the movement is excellent.

A Review Of A. Lange & Söhne 1815 Chronograph Replica Watch

In addition to the ample amounts of chamfering, engraving, polishing, heat bluing, and Lange’s signature gold chatons (the gold-colored casing in which the rubies sit, held in place by three heat blued screws, a very traditional technique), Lange has designed the movement to be a visual delight. Through the sapphire crystal case back, one can see all the components including the column-wheel, flyback mechanism levers, the snail of the minute counter which jumps precisely at 60 seconds and doesn’t creep along, and even the hand-engraved balance cock, with large balance spring and very traditional swan-neck regulator. Mechanically, this is one of the finest chronograph movements in regular production today.

The main attraction of this particular release, however, is not the movement which is shared among all the 1815 chronograph variants, but the dial which is a jet black piece of solid silver. Until now, the A. Lange & Söhne 1815 Chronograph was available in a white/silver dial only, with the black dial being the exclusive territory of the big brother, the Datograph. The heat-blued hands are now replaced by polished rhodium-plated hands.

This combination of polished hands and a black dial is something we have found to be very detrimental for legibility as it can often cause the hands to seem to just disappear. It would be uncharacteristic of Lange to make a poor design choice like this, so I will reserve judgement until I see one in person. The other difference between the Datograph and the 1815 Chronograph is that the latter does not have applied hour markers. They are painted onto the dial in a contrasting white.

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